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M. Terry Green has revealed the third cover in her Chronicles of White World series, Shattered . The series takes place in the distant future whereupon an ice age has buried our civilization. Humanity has survived, but it's as cold as the environment that it lives in. As with the other covers in this series, it was created by Tom Edwards . To learn more about this book and the rest of the series, please visit Green's website .

Rob Steiner has revealed the third cover in the Codex Antonius series , Muses of the Republic . In case you haven't been following it (and why the hell not!), it's a sci-fi/alt history series about a Roman Empire that didn't fall. Instead it thrived, conquered the world, and spawned an interstellar civilization. Rob hired Tom Edwards to create the cover. Edwards also created the covers for M. Terry Green's Chronicles of White World . The ebook is out now . The paperback is scheduled to be released later this month. There's a compendium containing all three ebooks. You can get that here .

Sometimes, for whatever reason, the vision an author has for their book cover fails to connect with the targeted audience. Michael John Grist takes us through the process of the cover creation process for Mr. Ruins. Much like what he did to his protagonist, Grist had to tear down his idea for the book cover and rebuild it. Mr. Ruins originally had a cover I poured all my ideas into, but people thought it looked like a bunch of worms sitting on an eyeball. :(. It wasn’t meant to be that. So now I’m talking about the glorious misadventures I had on the path to make it, what it became, why it didn’t work, and the new design that has replaced it. To read more and see the previous incarnations of the cover, please visit his website .

M. Terry Green , author of the Olivia Lawson Techno-Shaman series, is putting the finishing touches on the first book of a new series, Chronicles of White World . She has graciously let us reveal the cover ahead of the book's release in February. The cover was created by Tom Edwards . So, without further ado... In the weeks ahead, we'll have a story sample and an interview with Terry. Stay tuned!

Over the last couple of years, I've written about how important it is for an indie author to have a good cover for their book. I've invited several indie authors here to talk about the process they went through to get their covers, whether doing it themselves or hiring a professional. M. Terry Green pointed me in the direction of affordable, professional designers who offer pre-designed and customizable covers—the growing list can be found by clicking on our "Book Cover Designers" tab. While we've seen a decrease in the number of bad covers submitted here, there seems to be no shortage of lousy covers out there. So I'm going to throw another resource at you: CoverCritics offers a snark-free environment (the host, Nathan Shumate, prohibits it) where indie authors can receive constructive criticism of their book covers before they go to press. I'm heartily recommending that any indie author who designs their own covers, isn't sure about a cover they...

It has been a long standing tradition of independent publishing that lousy book covers were the norm. So many authors shunned investing any money in their covers that they doomed themselves to ridicule (at best) or obscurity. While it might not necessarily be prudent to judge a book by its cover, all too often it was a safe bet that a crappy cover meant crappy writing. Potential readers chuckled and moved on. In defense of the mass of indie authors who chose low quality covers, the big stumbling block to a quality cover was price. Spending five hundred to a thousand dollars on a cover for a book that would be exceptionally lucky to earn $100 for the author was an investment most chose not to make. When I scored a cover for my novel for $200, I was psyched. But I'm here to tell you today that everyone can have a professional looking cover for $200 or even much less. I was relating my tale of book cover design woe (which I'll share in a later post) with my friend and fellow ind...

One thing that an indie author has to be is resourceful. Book covers can be expensive and sometimes you just don't have the money to splurge, especially when you're publishing a short story for 99¢. Libby Cone explains how public domain artwork and graphic design shareware can be an indie author's best friends. I have designed the covers (if you can call them that) for all my Kindle books and short stories. I hired a designer I found on LinkedIn to execute my idea for the self-published paperback edition of War on the Margins . She did a very good job. When I published the Kindle edition of Flesh and Grass I used a Dutch painting that I thought was in the public domain. When I found out it wasn't, I obtained a public domain painting. I did the "cover" for "Quantum Fashionistas" using GimP (GNU Image Manipulation Program), but had to redo it when I realized its definition wasn't high enough. GimP is somewhat daunting, but I eventually figured ou...

When hunting for an illustrator, the Web is often the best option for an indie author. Online galleries are the most convenient place to check out an artist's work. Adam Copeland realized that freelance artists are in the same boat as indie authors. They're unknowns looking to make their mark. Working together is a win-win for both parties. When it came time to choose a cover for my book I perused DeviantArt.com , looking for artwork that was similar to what I had in mind. I found it, and made sure the artist was someone who was good, but not a professional (i.e., didn't make his living from his art). I emailed him and asked if he would be willing to be paid to make cover art for me. He was thrilled that someone wanted to offer money for his hobby and agreed. My original concept, however, was still very complex, time consuming, and expensive, so we compromised on a simpler version. The result is the art I have now, which I've had nothing but compliments on. I've had...

In his search for an illustrator, sci-fi author Thomas Carpenter found one much closer than he thought. He graciously shared his book cover experience with us and offers some advice to other indie authors. Initially I hired out cover design to a friend that did work similar to book design. The first covers he made for The Digital Sea and The Godhead Machine were passable, but not exciting at all. After he made those, I asked him to do the cover for my YA dystopia novel called Gamers . Unfortunately, we didn't see eye-to-eye on the design process. He hadn't read the book and didn't understand the YA market, so I fired him. In the meantime, my wife had purchased Photoshop with the idea that eventually she could make covers. Once I fired the other guy, I asked her to go for it (she'd done a short story cover by this time, which was a good starter cover). We'd walked the bookstores and studied covers for a while so we know want we wanted. The only problem was that we...

M. Terry Green is one of those authors fortunate enough to have graphic design skills. However, she learned that the path to cover creation can be a tortuous one. She was generous enough to provide us with a history of her Techno-Shaman series book covers. Hired an Illustrator First Novel - For the first book in my urban fantasy series, I hired an illustrator who did a great job and I was thrilled. She created the raw artwork by painting in Photoshop and then I put the cover together using Photoshop and Illustrator (I have some background in graphic design). Although I liked the cover (in fact, it’s still my favorite), I did receive some negative feedback from reviewers (which wasn’t specific). Second Novel - Prior to releasing the second novel, I wasn’t yet convinced I needed to change the first cover and so went back to the illustrator who had done it and asked for artwork for the second book. Unfortunately, we weren’t able to visualize my protagonist in quite the same way. We cal...

A great book cover inspires readers to ask the question the book seeks to answer. Since my design skills scream “amateur” (to put it kindly), I hired professionals to design great covers for two books I will publish in 2013. I think both designers did a fantastic job conveying the question of each book, and it was a pleasure to work with them both. ZERVAKAN ZERVAKAN is a fantasy novel set in a world with 19th century technology -- steam engines, guns, telegraphs -- where two magical bands of light suddenly appear in the sky one night, spanning the horizons like rings around the planet. A scientist and a priest must discover the mystery behind the rings before their world is consumed by an evil they're not ready to fight. Given the setting, I wanted a cover with a 19th century feel, but one that said "fantasy" and not "historical." TJ Lomas brought my vision to life. He found an old photograph and added two bands of magical light on the horizons. He added c...

You can't judge a book by its cover. While that statement is generally true in the figurative sense, when it comes to actual books we readers really do judge books by their covers. Despite all the lofty talk about literature being a form of art, the hardcore truth is that it is primarily a form of entertainment . The publisher, whether corporate behemoth or indie author, has to convince people that reading the book will entertain them. How do they do that? By capturing your eye with an appealing cover. Which of the following covers looks more interesting?   There is no right answer. Some might prefer the simplicity of text. Others are drawn in by the illustrated cover of a scientist at work in his lab. I prefer the illustrated cover and I suspect most people do too. It offers a glimpse into the story. While The Time Machine is a sci-fi classic known to a great deal of people alive today, there will always be a new audience that has never read the work. It is up to the publisher t...